Irish Baroque – Accademia Bizantina

LLM-2019-IrishBaroque

Libera La Musica – Free the Music

IRISH BAROQUE
from music for Princes to music for Gentlemen

ACCADEMIA BIZANTINA

Alessandro Tampieri – Violin
Ana Liz Ojeda – Violin
Paolo Ballanti – Cello
Nicola Dal Maso – Violone
Tiziano Bagnati – Lute
Valeria Montanari – Harpsichord


20:00 at Chiribilli – aperitif with musicologist Bernardo Ticci


Program

Arcangelo Corelli (Fusignano 1653 – Roma 1713)

  • Ciaccona in G major op. II n.12 for two violins and bass

Nicola Matteis (Naples 1640/50 – after 1713)
from “Ayres for the Violins” for two violins and bass

  • Suite in mi minore
  • Preludio semplice – Adagio,
  • Motivo – Presto,
  • Fuga su due corde,
  • Aria – Prestissimo,
  • Aria amorosa – Adagio,
  • Ground.

Henry Purcell (London 1659 – 1695)
Ciaccona in G minor Z. 807 for two violins and bass
Adagio

James Oswald (Crail, Scotland, 1710 – Knebworth, 1769)

  • Sonata in D major for two violins and bass
    • O Mother what shall I do (Largo)
    • Ettrick Banks (Adagio)
    • She rose and let me in (Andante)
    • Cromlit’s Lilt (Largo) – Polwart on the Green (Andante)

Francesco Maria Veracini (Florence 1690 – 1768)

  • Scozzese for violin and basso continuo (from Sonata Accademica IX in A major)

Francesco Saverio Geminiani (Lucca 1687 – Dublin 1762)

  • Airs made into Sonata for two violins and bass
  • Sonata II in D major for two violins and bass
    Bush aboon Taquair’
    Song: The lass of Peaty’s Mill
  • Sonata I in F major for two violins
    • The Broom of Cowdenknows (Grave)
    • Bonny Christy (Andante)
    •  Grave
    • Bonny Christy (Presto)

13 January 2020 21:00 Bagnacavallo Teatro Goldoni

Libera La MusicaIrish Baroque

 

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